There is only one version of this parable: it comes from Luke's special parables tradition. Joachim Jeremias, the distinguished German New Testament scholar, pointed out that of the ninety examples of the Greek historic present1 appearing in Mark's gospel, Luke has only used one from their shared material (Luke 8:49).2 In Luke's special parables tradition, however, he has used the historic present five times in narrating parables (13:8; 16:7; 19:22), two of which appear in Rich Man and Lazarus (16:23, 29). Jeremias argued from these observations that the contrast in the use of the historic present between Luke's broader gospel narrative and his parables constitutes "clear evidence of an underlying pre-Lucan tradition."
He further pointed out that the first part of this parable (Luke 16:19-26) reflects well-known folk material deriving from Egyptian traditions (The Journey of Si-Osiris to the Underworld), which was transported to Palestine as the story of the poor scholar and rich Publican, Bar Ma'jan.3 His view is that Jesus made use of the underlying folk narratives to compose his own story. The second part of the parable (Luke 16:27-31) is a new epilogue that Jesus added to the traditional folk material in the first part; hence the emphasis of Jesus' parable lies in the second part. Further, the parable's title should be the "Parable of the Six Brothers."
The result of the discussions of this parable by members of the Jesus Seminar concluded that this parable did not originate with Jesus for several reasons: because folk tales about a rich man and a poor man whose fates were reversed in the next world were well known in the ancient Near East; in no other genuine parable of Jesus were characters given names; and that an interest in the plight of the poor is a special interest of the author Luke. The result of the combined vote of the Fellows was that the first part of the parable is questionable as a parable originating with Jesus. The second part, which described the six brothers, concerns the characteristic early Christian theme of the Judean lack of belief in the resurrection. For these reasons ninety percent of the fellows voted against the parable as originating with Jesus.4
Hence, on balance, there are enough questions about the pedigree of this parable to seriously question it as a parable composed by Jesus of Nazareth. Not all agree, however. For example, one critically trained scholar is aware of most of these challenges to the parable as a composition by Jesus, but nevertheless argues the following: "Although the parable in its present wording has clearly been transformed by Christian allegorization, it would seem that a nucleus of the parable can be attributed to Jesus."5 And he even uses a 12th century painting of Lazarus at the rich man's gate on the dust jacket of his hard-back book, in a sense symbolizing all the parables.
Perhaps it is time that critical scholars formulated a history of religions rule for evaluating parables that states: "The more certain it is that a parable reflects themes, plots, values, and traditional religious views of antiquity, the less certain it is that the parable originated with Jesus of Nazareth." The rationale for the rule is the following: because the parable makes extensive use of well-known traditional material it is far less certain that it might have originated with Jesus. The problem is not that one has thereby disproven its origin in the mind of Jesus, but that one cannot disprove that it originated with the gospel writer or elsewhere in antiquity. In attributing the parable to Jesus one runs the risk of attributing ideas to Jesus that were not his own. And for those reasons it should not be included in a database for determining the characteristic ideas of Jesus.
Charles W. Hedrick
Professor Emeritus
Missouri State University
1 The Greek "historic present" is the use of a present tense where one would have expected a past tense. For example, in telling a story a narrator says: "and he says…" instead of the expected "and he said…" The historic present is a characteristic literary feature of Mark's gospel, but not of the other two.
2 Jeremias, Parables of Jesus (6th edition), 182-86. See Hawkins, Horae Synopticae,149.
3 Jeremias, Parables, 183, 178-189.
4 Funk and Hoover, Five Gospels, 360-62.
5 Hultgren, Parables of Jesus (Eerdmans, 2000), 115.